through icy mountains, sunny valleys, and parched desert territories varied conceived, narratively clear on the point directed and meditative by John Toll illustrated Neo-Western-chase across half the civil war. Man against man, two driven, two traumatized, which are driven by their own obsessions, the one blinded by revenge, the other insane from cold, hunger and thirst, a hasszerfressener Liam Neeson, Pierce Brosnan made against a neglected beautiful Südkoreazeiten his latest James Bond adventure. First operated in snow-covered mountains decimation Colonel Carver (Neeson) anchored of hired crew from unscrupulous bounty hunters of any age (particularly interesting: Hayes, played by Michael Wincott) by ex-officer Gideon (Brosnan), in which the viewer is thrown into it blind without opening Ballast (Flashbacks scraps characterize consistently the protagonists), according to a schematic or genre mechanisms masculine survival thriller, if they meet the blood drops, a treacherous function when Gideon on trees hidden, makeshift supply, waits to shelter get and keep using home-made traps his opponents at bay attempts . Marriage newcomer director David Van Ancken then highly original, but deeply unconventional voices treading a path of the surreal, hallucinatory dream states, the installed and fascinating secondary characters of the metaphysics of death (Wes Studi, Anjelica Huston), the great duel between the two counterparties. Very devotedly played, psychologically and stained sent written genre Low craft, nuanced, and ruminating on the reworking of relevant Western myths, merciless in the exploration of physical and mental peak experiences.
8 / 10
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