seen before - November '10
murder in racing by train. First case for the small, chubby and boyish amateur detective Miss Marple, the powdering her fine nose throughout with contemporary thriller reading. And with the Margaret Rutherford is inevitably linked. Their debut removal of evidence layers for complete reconstruction of crime is understood as a classically orchestrated Whodunit detective. Before the perpetrators can be exposed, the film develops a dense, impenetrable network of dysfunctional family structures, which build up in coquetry and greed in immediate succession. Considerable: "16 clock 50 from Paddington"
high voltage evoked despite bad Urklischees: the winding country estate, the eerie gardener (as, of course, the first suspect), the thrills caring power outages, the helpless police, the numerous Ermordungstaktiken, whereas the actual riddle guessing game often satirical humor as English-shoots arrows. George Pollock charming Agatha Christie adaptation is not only wonderfully atmospheric and shines not only in the face verbal exchange par excellence, dark Light and shade assembly, peppy music (Theme: Ron Goodwin), quirky personalities, but like mainly by kindness, sympathy and intelligence of both the protagonist and the plot. Each
"crime scene" preferable.
7 / 10
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